In the little building housing David Hockney's permanent exhibit of one of his stage designs for a production of the Metropolitan Opera in 1981, I reread the explanation of his design for Ravel's L'Enfant at les Sortileges. He has a neurological conditon - synesthesia-that can produce an experience in a different sense, like sound, when another sense, like sight, is stimulated. To paint the tree, he said. "...I put on the tree music for the opera, and it had a certain weight and color. The music would dictate the shape." |
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